Eron LuttermanStrategic Experiences

I design and host experiences in the real world and build the business models to support them. Here are a few that I’m proud of.

COLLINS House

As Managing Director, I built the Audience & Partnerships discipline from scratch alongside my co-founder, Alex Athanasiou. The discipline quickly spun out as its own business unit, and we owned the P&L from sponsorship strategy to execution and hosting. We were lucky to help continue COLLINS’ 8-year streak as Agency of the Year.

Guests gathered beside the pool in front of COLLINS House in CannesCOLLINS House
COLLINS House

A château above Cannes, every June

A guest in a cream cowboy hat beside a grand piano at Americana First
Americana First

Exploring the mythology of America

A speaker at the lectern beside a bold projected slide at Behind the Scenes
Behind the Scenes

Sharing failure's finest moments

A packed room watching a projection of the COLLINS library, with guests leaning over the balconies above
COLLINS Coffeehaus

5,275 books & a cup of coffee

A brick path through the trees to the Treehaus studio at dusk
The Studio

A space for deep work

The moderator speaking with panelists among the bookshelves
Resilient Futures Climate Week Salon

New narratives for climate action

A smiling cyclist shading their eyes on a tree-lined street
Annual Retreat

Doing nothing together

COLLINS Sojourns

Leadership journeys around the world in places with unbroken traditions of wisdom and knowledge.

Two travelers descending a rope-lined stone stairway beneath a rock overhang
Leadership Sojourns — Introduction

Where modern leadership meets ancient wisdom

A person in red robes holding a football on a dirt pitch in Bhutan
The Kingdom of Bhutan

A journey about compassion

A group standing before a monumental blue-and-white tile mural in Lisbon
Lisbon

A journey about navigating uncertainty

A smiling man in a flat cap outside an ivy-covered house in Ireland
Ireland

A journey about imagination

Strategy

I advise brands at the intersection of hospitality, IP and experience.

Netflix House exterior with its red entrance and illuminated sign
Netflix House/Bites

Bringing the stories we love to the table

Marchers carrying orange Sun Day posters printed with the half-sun symbol
Sun Day

A symbol for the solar movement

An orange camper van with the festival’s kaleidoscopic octopus poster propped against it
Woods Hole Film Festival

A new identity for a festival turning thirty

In Pursuit of Tea

In Pursuit of Tea

Coming soon

Personal Projects

Doing what I love for people I love.

Guests gathered around a candlelit dinner tableLittle Poutine
Little Poutine

A supper club for showcasing undiscovered brilliance

Company Fellowship for Inevitable Hosts
A curved wooden table set for dinner, with menus at every seat3rd Space
3rd Space

A monthly salon for 36 strangers

A Luck dinner receipt emerging from the printer
Discursive Dinners

One table, one theme, and a conversation to take home

Friends and neighbors gathered at Carrboro Town Commons
Lutterman Eats

Food, work, and the people around the table

Eron on stage at ICC Belfast beneath a slide reading “What do we know?”
Public Speaking

Stages from Sevilla to Belfast

Marchers carrying orange Sun Day posters printed with the half-sun symbol
Strategy

Sun Day

On April 22, 1970, Earth Day rallied 20 million Americans and sparked a cascade of lasting change: the creation of the Environmental Protection Agency, the Clean Air Act and the Clean Water Act.

Half a century later, at another environmental tipping point, environmentalist and writer Bill McKibben and Earth Day co-founder Denis Hayes set out to create its cultural successor in the name of clean energy.

They call it Sun Day.

Why the sun? Humanity has always depended on the sun as our bringer of life, light and heat.

That relationship was fractured by the explosive use of fossil fuels over the last century. Fossil energy may have powered economic and social gains, but it also filled the atmosphere with carbon, turning our skies into a global sewer.

Now, for the first time in history, the cheapest form of energy is a sheet of glass pointed at the sun.

The math is astonishing: sunlight striking Earth delivers 10,000 times more energy than humanity consumes. It’s as if we’re endlessly showered in the very thing we need most. Sun Day is a call to action: the way forward is here.

What we need now is the global will.

A Design For A Movement

I helped lead the Sun Day project at COLLINS, working with our team to turn the ambition into something people could make their own. McKibben’s brief was simple, but not so easy: build a system cohesive enough to unite millions, universal enough to be understood across cultures and languages and bold enough to fly on a flag.

As part of the process, we held a design charrette at a ranch in California with leaders, activists, and organizers. It gave us a chance to shape the idea together with the people who would help bring it to life.

Our answer: the system had to be participatory.

We studied grassroots symbols that have endured: the peace sign of the 1950s nuclear disarmament movement, Gilbert Baker’s rainbow symbol, the Extinction Rebellion hourglass, even the bold stars and stripes of the American flag. Each represents different human hopes, yet they share a common visual language—familiar geometry, nothing complicated. Forms so easy to doodle on a napkin, paint on poster or mark in the sand, that anyone can recreate and claim them as their own.

After countless sketches, we distilled the idea to its essence: five bold rays forming half a sun. The other half is left open, for people to complete themselves. Because movements thrive when people see themselves in them.

As McKibben says, when it comes to solar power, “we are halfway there, halfway to go.”

We hope this symbol will stand for both: the progress we’ve already made and the work we still have to finish—together.

Tools For Collective Action

First, a digital commons.

With our technology partners at garden3d, we created an online platform where anyone can draw their own sun and place it in a global gallery. The site doubles as a bulletin board for actions and events, helping Sun Day build local and global momentum.

Then, a living typeface.

With the remarkable people at Commercial Type, we created a new, custom type family designed to be filled in, redrawn and remixed. It was crafted to be re-crafted—by millions of other hands.

From Threat to Solution

Sun Day reframes the sun from a threat to the solution. It makes clear that this is no longer “alternative energy,” but a smart path forward.

On Sunday, September 21, hundreds of events unfolded around North America and the world to exclaim just that.

I hope Sun Day’s story will move beyond protest, policy, or politics—and show how design, as a plan for action, can help people build real collective momentum. That was the ambition behind this project: to help turn a shared belief into shared action, just as Earth Day had done five decades earlier.

Join in, here: sunday.earth


Press

"The Old Climate-Activism Playbook No Longer Works," The New York Times

"The World Comes to New York for a Very Different Climate Week," The New York Times

"Sunday was also Sun Day," The New York Times

"How Sun Day turned its logo into a protest sign," Fast Company

"Climate activists gather in New York for ‘Sun Day’ solar energy and anti-billionaire rallies," The Guardian

"Why Bill McKibben revived Sun Day — a solar celebration rooted in Colorado," Colorado Public Radio News


Credits

COLLINS

Beth Johnson

Mason Lin

Eron Lutterman

John Choi

garden3d

Hugh Francis

Commercial Type

NextWoods Hole Film Festival

There are so many things that don’t neatly fit into a personal site but still feel…personal.